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Fender 68 Deluxe Reverb Custom The Sweet Spot

So you may have read my recent review of the Fender 68 Deluxe Reverb Custom, where I may have been quite gushing in my praise for the amp. Well actually I may have actually declared my undying love for it.Well, after some more gigging with the amp, I can safely say that this love is only getting stronger. All the the pros that I mentioned in the review still hold true and mostly importantly the way this amp sounds is just phenomenal and the ability to get the most amazing feedback from the amp is just the icing on the cake.On top of all of that, the fact that this amp is so, so easy to transport and carry make me a very happy camper. I am also more relaxed in transporting it now I have a Hot Covers cover for it (review and video review can be found here), ensuing that my pride and joy doesn't get too beaten up from gig to gig!!

The Sweet Spot

So, the title of this post is about the sweet spot! After all my recent gigs I have found that there is a lovely sweet spot on this amp, which resides in the middle of the volume dial just between 4-5, it is really hard to pin point, but when you have the amp set below 4, it is still amazing and given most situations this is where you are likely to have it set.But moving ...well actually nudging it just above 4, and somewhere in between 4.5 ish, something magical happens! I can't actually describe it, but something that is already sounding and playing awesomely, suddenly roars up a gear into a different beast, it is like something insdie the amp is unleashed.Note's sustain and feedback even more, the lovely Fender tone seems to move from 3 dimensions into 4! And for something that is already very responsive to touch, starts to feel like it is actually connected to your fingers and your very soul.What more can I say but I am even more in love! If you  get the change to take your amp into the sweet spot! Do it, do it now! If you don't own this amp and think that you want that Fender goodness, then make sure that this amp is on your list to try out!I'd love to hear your feedback in the comments below if you own the amp, or please fire away any questions if you have any about the amp!
EnjoyPeaceNeil

Guthrie Govan’s 10 top improvisation tips article

Just read this brilliant article in this month's Guitar-Bass.net magazine by the ever awesome Guthrie Govan, where he goes through his top 10 tips for improvisation and there are some great bits of advice in there. I would encourage all guitarists, no matter what you level is to read this article. I was particularly drawn to a couple of the tips, especially the following

Develop your ear

There is no denying how crucial this is as a musician, not only to enable to you to play with other musicians, or to transcribe your favourite songs, but also to hear in your mind's ear what you want to play and know how you are going to play it. I am currently working on a video to give some ear training tips, as I feel it is one of the most important skills to have. It is not something that you can develop over night and can feel like a real slog, but like an skill with the right approach and perseverance you can achieve this goal.

Think in phrases

This is really interesting as this is a topic which I cover at great length in my book. So if you want to know more and explore the topic Guthrie is talking about, then grab yourself a copy of my book Guitar Creativity | A new way of thinking and improve your approach to and playing now!To finish off, Guitarist magazine are also developing a regular column with Guthrie, and this video is from the first instalment and features some awesome advice on bending, well worth a watch!!Enjoy!PeaceNeil

Take me to church - Acoustic cover live

So here is North and South's little acoustic cover of Hozier's fantastic take me to church live from the Kings Arms Festival, on Sunday 5th September 2015. It was a great event to play at and really nice to have so many people singing along (especially to our original material!). Another little video to come soon![retweet](Not the best audio quality...or camera angle!) EnjoyPieceNeil

Analysing olfactory and auditory sensescapes in English cities: Sensory expectation and urban environmental perception

Bittersweet news this morning, I awoke to new that the publication of the journal paper I had the privilege of working on with a outstanding academic and great friend Victoria Henshaw just before she tragically passed away has been published. It was a real honour to work on this paper, and a real sense of loss that we will not get to work again together. I should add a massive thanks to amazing Dr Jenna Condie and Dr Sarah Payne for stepping in at the last moment to help get this paper finished in Victoria's memory.Smell and Sound brought together!!! have a read...what's not to like!Here is the abstract...

This paper examines the role of sensory expectation in people’s experiences and perceptions of a range of different urban environments in English towns and cities by focussing upon those related to smell and sound specifically. It draws from two separate but related sensewalking studies undertaken between 2004 and 2009: one exploring urban smell experiences, the other examining urban sound experiences. In drawing from, and comparing the findings of these two studies, sensory expectations are argued as highly influential in urban place experience and perception, providing different layers of meaning and understanding of place, and presenting challenges and opportunities for architects and urban designers when creating more human-centred places in the city. In addition, perceptions of the smells and sounds themselves are revealed as highly influenced by the environmental context within which they are, or are not, detected. As a result, the authors advocate a more proactive approach to the consideration of smells and sound information when designing and managing urban sensory environments.You can read the full paper online here.

EnjoyPeaceNeil

How APT - Composition and Sound Design brief

Very pleased to say that this week, the launch of the new promo video for Cheshire based design agency APT went live. Here at Spencer Bruce Music, we provided both the composition and sound design elements for the piece. It was a great little project to work on, with so many fun elements in the video to work with. I developed two concept ideas to match the brief, and the second one was chosen. You can see the final version here.So if you are looking for any print or web design work to be carried out, be sure to head over to APT and check them out.All the work was done in Logic Pro.EnjoyPeaceNeil

10 ways to become a successful musician

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It is the question we all want to know the answer too, and it is the one that tends to allude the majority of us. One of the things to consider when posing this question is, 'what does the word successful mean to you?'.  After you have taken some time to answer this question, this article provides you with, 10 ways to become a successful musician.

What is success for me?

In this great world of ours it could mean a multitude of things, and depending on what those things are depends on the way that you might want to approach answering the question. Well, from my perspective it is quite simple, it means, currently being able to support my current standard of living through earnings made from my own music related income streams. Now this might be very different for you, success might be owning a Ferrari, or playing Madison Square Gardens (obviously I wouldn't mind those, but they don't drive me on a day to day basis....although a Ferrari would obviously drive me....being a car...sorry terrible joke!).By utilising the positivity of Law of Attraction, then be just focusing in on your own set goals can help you realise them, yes this really can happen. (Click here for a great article on 12 Ways the Law of Attraction can change your life)

Define your goals

Once your have defined a goal, ambition or sentence of what success means to you, the following 10 suggestions of ways to success can really help you on your way to finding success.1. Manage your expectationsAs I have just stated above, the first thing you need to do is "set a goal." Do you want to be the next Ed Sheeran ? Then you need to appreciate like most 'stars',  Ed cut his teeth for years busking, playing the dodgy clubs, bars before he became the Ed Sheeran we know today. These things take time, there is no such thing ever as over night success.  So, my friends,  it is time to realise that anything that comes too easy, isn’t real!!! But more importantly, anything you put time and effort into, will come back to you.2. Create interesting and engaging contentThis goes without saying really doesn't it, but sometimes things that aren't said need to be said. Whatever you create, whatever genre you find yourself in, whatever random vibration of air molecules you inflict on to the universe, make sure it is the best you can do (at this point in time!). Realise that you should always strive to improve, always be open to learning, but music (like any art) is a lifetime study....you can't know it all now, so don't worry! BUT, most importantly don't let that stop you from putting out your art now. Just try to ensure it is the best you can do (now), and not only that, but that it is engaging. On top of your actual content (your music for example), also realise that you aren't just promoting your musical content but all the other aspects associated with it...basically, through all your content, create a world for that music to live in.3. Create video content Following on from point 3, there is no escaping the fact that videos are the new rock and roll. Videos are just SO IMPORTANT these days, not just to fans, but also to everyone else in the music business who wants to access you. They are your calling card, with a potential network of BILLIONS of people. The best thing is that in this day and ages to produce a video doesn't have to cost much money, you can do it yourself on your phone and some basic software and get it out there straight away (follow the advice from point 2)4. Submit your music to your favorite blogs and websitesThe internet has empowered you to be your own publisher, you don't need a record deal, you don't need a fancy publicist....do it yourself!!5. Develop a brandOkay, so this is always a tricky one, especially if you don't like stepping outside of your self and standing out in a crowd. But it doesn't mean being flamboyant and over the top in terms of what your wear or do, but it does mean develop a style which is matched across all of your content. It could be simple like the polo neck, jeans and trainers that Steve Jobs always wore, be comfortable in your brand and make sure it matches the areas you wish to target. Make sure that it is consistent across your website, business cards, gear, cases etc Again think Apple, you may love or hate them, but you know when something is an Apple product. "Developing a unique style can help set the tone for your music by making for compelling press photos and visually pleasing live performances.6. Become an effective networker We have all heard the saying, "it's not what you know, it's who you know...", well as sad as it is, it is true and the best way to know people is through networking. Yes, networking!!! Sorry, but it is a necessary evil and there is no better way in getting out there, than....well getting out there and letting people know you exist. Part of being a great networker, is firstly believing in what you are doing and yourself and secondly, being an effective communicator. Spending time developing you ability to speak and communicate with others will help you better describe your music when someone asks you what you sound like, help you do the in-between song batter, help you talk contracts with managers and so on.7. Communicate via social media It is probably the best time in the history of the human race to be able to publish art and get it out there to a global audience. There are so many channels as well, all eager for you to promote yourself and content on, Facebook. Twitter. G+. Snapchat. Instagram. YouTube. Vine. Etc. Etc. Etc. So go out there, find where your fans are and communicate with them effectively on at least one or two of those platforms (you don't need to be, and you can't be on all of them...find those which work for you and embrace them!)8. Put together a marketing strategy Another evil term from the business world, but like business, you are a business, your business is you! So, take a few tips from the business world and apply them to your art . If you want to make some money with your music (if that is how your define your success criteria), then I am afraid to say you will need some form of business model, nothing complex, just try answering some simple questions, such as......What are you selling? Who’s your target audience? Who’s your competition?”9. Talk to your fans directlyThe internet makes the world one massive global village, and the tools we have at our disposal we can now interact with our fans 24/7/365 and our fans expect to interact with us, they want to be part of our success and want to assist us. The more direct, honest, and engaged you are with your fans, the more loyal your fanbase.10. Make good Art The marketing guru Seth Godin is a real advocate of creating art, and creating great and person art. He discusses this concept at great length in his fantastic bookLinchpin: Are You Indispensable? How to drive your career and create a remarkable future and I guess it goes without saying, at the end of the day taking into account all of the points mentioned above, you can only get by on looks, branding and marketing strategies for so long. At the end of the day it boils down to whether or whether or not you have AWESOME art. But I am pretty sure that you already do!Good luck!!EnjoyPeaceNeil

PRS taking legal action against Soundcloud over royalties

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So it has finally happened, PRS for music is taking on the might of SoundCloud over streaming royalties. I just had an email from PRS drop into my inbox (see below) detailing the circumstances that have arisen and let to this legal course of action. Personally speaking I think that this is a big deal for the industry as a whole, and is coming at a time when people and artists are finally getting to grasps with the new music business income streams and realising that a lot of these tech companies are actually taking the mickey a bit when it comes to payments made to content creators (this isn't exclusively a music industry problem I feel, but most of the creative arts). So it would seem that PRS for music is putting it's money where it's mouth is at and standing up for it's members (I am a member I should add!) and trying to some extent to get it's members what they are entitles to, which at the end of the day is just a fair deal.

PRS for Music, what does it do?

The way that PRS For Music works is by trying to make sure that any of it's members are paid a royalties (for the song writer writing the material, and for the sound recording) when their music is played on radio, TV, public performance etc, this is one of the only ways a writer receives income from their work, so it is crucially important, especially in the days of self-publishing. It has been reported that Soundcloud has over 175 million unique listeners a month, that is an incredible amount of listeners! But up until now Soundcloud is NOT a PRS license holder, which means any PRS member who's content is on the site is not being paid a bean when their music is streamed from Soundcloud, but for a company valued at $700 million this [*1] isn't really playing fair is it.So in the email from PRS For Music, they have said “after careful consideration, and following five years of unsuccessful negotiations, we now find ourselves in a situation where we have no alternative but to commence legal proceedings against the online music service SoundCloud.” We are entering a brave new world, only time will tell what the outcome will be. There is no denying, streaming is the future of music, but if we don't compensate those who create, what will there be to stream, or at least what NEW material will there be to stream?What are your thoughts?

PRS for Music members email

Dear Member,
 

PRS for Music begins legal action against SoundCloud

 After careful consideration, and following five years of unsuccessful negotiations, we now find ourselves in a situation where we have no alternative but to commence legal proceedings against the online music service SoundCloud.  When a writer or publisher becomes a member of the Performing Right Society, they assign certain rights to their works over for us to administer, so it’s our job to ensure we collect and distribute royalties due to them. SoundCloud actively promotes and shares music. Launched in 2008, the service now has more than 175m unique listeners per month. Unfortunately, the organisation continues to deny it needs a PRS for Music licence for its existing service available in the UK and Europe, meaning it is not remunerating our members when their music is streamed by the SoundCloud platform. Our aim is always to license services when they use our members’ music. It has been a difficult decision to begin legal action against SoundCloud but one we firmly believe is in the best, long-term interests of our membership. This is because it is important we establish the principle that a licence is required when services make available music to users. We have asked SoundCloud numerous times to recognise their responsibilities to take a licence to stop the infringement of our members’ copyrights but so far our requests have not been met.  Therefore we now have no choice but to pursue the issue through the courts.    We understand SoundCloud has taken down some of our members’ works from their service. With our letter of claim, we sent SoundCloud a list of 4,500 musical works which are being made available on the service, as a sample of our repertoire being used, so that they understood the scale of our members’ repertoire and its use on the service.  We asked them to take a licence to cover the use of all our members’ repertoire or otherwise stop infringing.  SoundCloud decided to respond to our claim by informing us that it had removed 250 posts. Unfortunately, we have no visibility or clarity on SoundCloud’s approach to removing works, so it is not currently clear why these particular posts have been selected by them given the wider issue of infringement that is occurring. Ultimately, it is SoundCloud’s decision as to whether it starts paying for the ongoing use of our members’ music or stops using these works entirely. If the streaming market is to reach its true potential and offer a fair return for our members, organisations such as SoundCloud must pay for their use of our members’ music. We launched our Streamfair campaign in June to raise awareness of this issue and highlight how music creators need to be properly remunerated from streaming. We believe that all digital services should obtain a licence which grants them permission to use our members’ music and repertoire, in this case the works of songwriters, publishers and composers.  The streaming market cannot fairly develop unless this happens. We have always been pro-licensing and pro-actively work with organisations in order to propose an appropriate licensing solution for the use of our members’ works. We remain hopeful that this matter can be resolved without the need for extended litigation. Members will appreciate that this is now a legal matter and our ability to communicate around it is therefore limited by the legal process. However, we will try to share information and updates whenever we can.Please visit our website to read our frequently asked questions.  

Yours faithfully,Karen BuseExecutive Director, Membership and InternationalPRS for Music

EnjoyPeaceNeil[*1]  Source - Soundcloud $700 Million Valuation 

Amanda-Rose Hill - A Father's Love

I am pleased to announced, for those of you whom asked, that Amanda-Rose Hill's single 'Father's Love', which I co-wrote and recorded the vocals for, can now be heard in full here....

Amanda-Rose Hill - A Father's Love

I am also pleased to announce today that our next song, which is called 'I ain't drunk' has been mixed by Ultra Audio Productions in Nashville, and is currently awaiting mastering. As soon as it is ready I will post a link to it, this one is an uptempo rock and roll dance track, so very excited that it is nearly ready.EnjoyPeaceNeil

Logic Pro X 10.2 review released with Alchemy !!!

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Logic Pro X 10.2 review released with Alchemy, this has just popped up on the Apple Website and wow! I have been a Camel Audio user since the days when it was just Ben and he had just released Cameleon 5000 and have all of their products, so was a bit disturbed when I heard they were shutting the doors recently. But now we know why (well the rumours were out there), the fantastic Alchemy is the new synth in Logic. Alchemy has been my go to secret weapon since it came out, so I am guessing that cat is now out of the bag!The interface has been updated and it really does look stunning now! There is much more information about the Alchemy updates here, but in short these seem to be some of the other stand out features updates.Logic internet integrationLogic Pro X lets you publish directly to Apple Music from inside the app, should that rock your world, I am never totally sure about this, but if that is your thing, there it is. Apparently, there is also now built-in support for Gobbler, which means  you can share, collaborate and probably back up too from within Logic. That’s a big deal for both Apple and Gobbler – there’s never been cloud integration like this in a major DAW.From the article some of the other things are as follows

  • Force Touch trackpad support for the latest Apple laptops
  • Expanded MIDI functionality, including expanded clock options.
  • Non-destructively reverse audio regions. YES YES YES YES YES YES YES YES YES YES!!!!!!!!!!!!!!!!!!!!!!!
  • Globally nudge by key command to note values.
  • Editing improvements.

So it is a buggy with Alchemy included, and means that there is a really awesome synth, and powerful sample manipulation tool within Logic!!FantasticEnjoyPeaceNeil