Some recent gig pictures

It's been a while since we have had a photo update, so here are a few recent pictures from a Groovething gig at the GMEX Centre in Manchester (now called Manchester Central). Black and white always makes things look very moody!

 EnjoyPeaceNeil 

Fender 68 Custom Deluxe Reverb Review

Fender 68 Custom Deluxe Reverb Review

I have been through a few amps over the years, but for the last 4 I have been pretty much using a Fender Blues Junior III Tweed for much of my gigging needs. Primarily, because it sounds good and it is very light and easy to transport. I have had one or two issues over that time, but nothing to write home about.

Although recently it got knocked backwards during a gig and stopped working for a while, this required me to start using my Cornford Roadhouse 50 Head with a Zilla Custom 2 x 12 cab fitted with Celestion Vintage 30’s. Now this was amazing, because the amp is awesome and sounds fantastic, but this comes at a price, one being that it is pretty damn loud, okay very loud!!

We recently played a stadium gig, and the amp was only on 3-4 (obviously mic'd up!) and was still too loud! So, for the typical function and wedding it was a little too much, plus I got a bit tired carrying it up four flights of stairs to my apartment!Back to the Blues Junior and it would seem that the Blues Jnr III needs some work doing to it, so given that it was recently my birthday, I thought it was time for a new amp!

So what I wanted this time was an amp which was sublime (the Cornford is, but see above for why I can't use it all the time!) and in a different league (and portable!). After some searching around and knowing that the Fender 65 Deluxe Reverb Reissue (DRRI) was getting great praise, I noticed that the Fender 68 Custom Deluxe Reverb had come on the scene and was getting a lot of love (a lot).

So I thought it was my duty to try one out! What follows is a real love story, but as with real love there are some complications and the true course of love of course never runs smooth! Sit back and enjoy the ride.

Fender 68 Custom Deluxe Reverb - A love begins

So, I was out on my travels one day and I popped into PMT Music in Cambridge. Out of the corner of my eye, I saw that they had the '68 Deluxe Reverb in, so I asked to try it.....with in about 2 minutes I know that oh wow this is one hell of an amp! The kind of amp that makes you just want to play and play and play! I could have literally sat in the shop all day playing. But, I had to be somewhere and I wanted to know how the amp sounded with some of my pedals, so I left empty handed, knowing that I would return.

The main thing that struck me was that I was not sure how this amp is rated at 22 Watts, as it one one loud amp too, and wow thanks to the negative feedback this amp is SO sensitive to touch!! It is one of those amps you literally feel connected to, the sound coming out of the speakers just makes you smile. The tone has a deep round body to it, which really inspires you to play. The amp is just it is so responsive to your touch and you can so easily coax a note into the most glorious feedback and sustain. What really surprises me about this amp is how he character and tone of your guitar really jumps out, although with the pickup…it is like you can hear the very wood of the guitar.

I would also add that there is a real sweet spot on volume control which is around 4-5 when the amp not only really comes to life in terms of volume but in terms of the most luxurious tone.The amp has two channels (which differ from the original), one being the Vintage Channel (like the original) and the Custom channel - modified Fender Bassman amp with some of the highs removed so that pedals work well with this channel (and they do) Plimsoul, Suhr riot, for example.

Unlike the original amp they both have the reverb and vibro across them. Speaking of which, I find both the reverb and vibro to be fantastic, although with a character (i.e. a typical Fender Spring reverb tone) which may not be suitable for everyone, and personally beyond 2 on the dial it is too much for me. The Vibro channel is lush, but due to legislation in the UK and Europe the Opto circuit has been replaced due to the material used being outlawed here. I am not fully sure of the impact on the sound but it is a little bit noisy, especially at high intensities.

They are both foot switchable which is great, but personally I think the supplied foot switch is a piece of plastic crap. I am surprised when you spend SO much on an amp that they provide a rubbishy plastic footswitch. I will see how long I get out of it...maybe I am wrong and it will out last me, but you get a feeling for gear when you are gigging all the time, I don't think it will last, especially with my heavy feet. But I guess nice that they included it...oh and VERY nice that they included a cover too, I wish more companies would do this!!

Crucially, the amp also takes pedals really, really well, I have use it in conjunction with a Rothwell Audio F1 Booster, Fulltone Plimsoul, TC Nova System and Suhr Riot and they all sounded fantastic. I have attached the following audio clips so you can hear. These clips are from a recent gig and are the isolated guitar track from the Mic in front of the cab so you can get an idea of what it sounds like live and mic'd up. I have noted on the clips the one's which are straight and those with pedals.

The guitar was an American Fender Strat with Seymour Duncan Hot-Rails in the bridge position, my main gigging guitar.

Fender 68 Deluxe Reverb Audio Clips

Isolated track from live gig of Fender 68 deluxe reverb with Fender American Strat, clean sound from bridge pickup, overdrive from HotRails in the neck.Isolated track from live gig of Fender 68 deluxe reverb with Fender American Strat with Suhr Riot and TC Electronic Flashback pedals.

Okay, so there is a problem (or two), thanks to the negative feedback circuitry there is some Hiss, now live this isn't a problem at all and I have yet to record with it, so I can not tell how bad it is at the moment. It is not a deal breaker and I understand that the circuit modification which makes this amp SO responsive to touch is responsible, so this is a good trade off I guess!

There is also a LOUD pop (capacitor discharging no doubt) when you switch it from stand by mode. Again I know why this happens but I guess we are used to modern gear and these issues being resolved. I hope it isn't a indicator of any other problems....speaking of which!

Love never runs smoothly

So, I popped into the PMT Music in Manchester to buy the amp, I tried it out for a while and also with some pedals, I knew I was in love!!! So I brought it, took it home, re-confirgured my pedal board with the pedals I wanted, and had a little play....happy days!! But, a day later I had my first gig with the amp!! During soundcheck, everything was fine, I had a big smile on my face as this amp just sung and also had a real depth which filled the sound stage really well!

Soundcheck over, switch amp off....amp blew a fuse straight away. Replace fuse, amp comes on, and then blows it again, add to this a very strange sound from the vibro channel and then it just got SO hot, it was impossible to touch the front of the amp for a very long time without potentially getting burnt. My heart sunk, in all the years and amps I have had, I have never had this happen to me, more worryingly I had a gig to do, luckily I had a back up!!

This really really dented my confidence with the amp, and also quality control at Fender. This is NOT a cheap amp at all, and I WOULD not expect these kinds of things to happen with a brand new high end amp, and I was very sad and my heart broken. I had found love, but it was troubled!!

Needless to say I took the amp back, PMT were excellent in sorting it out, even lending me an amp to get me through the next couple of gigs until they got a new FDRI in stock for me. I now have the next amp, and I do love this amp, even after a very short time with it, BUT it makes me nervous, and when you gig weekly nervous isn't good. Hopefully my Mark II doesn't suffer from Fender quality control issues....but it doesn't make my have confidence.

Only time will do that. I will report back!!!

Okay, so yes I really, really do love it, even thinking about it make me want to go and play guitar and when I playing through it, I really just don't want to stop. That really is something very special in an amp. I think that I have been very fortunate over the years to have either played through or owned some exception amps. Some have been amazing, some have been workhorses, some have been fleeting romances and some have been downright hype and rubbish.

I think your amp quest is a journey, you will probably never really ever stop thinking about your first love, but you will find those along the way which change your mind and take you to different places. There is nothing wrong with that. For me personally, digital processing doesn't rock my world, most solid state doesn't rock my world, Mesa Boogies don't rock my world, but I think this amp really does. After years of searching I have 3 amazing amps, each different, perhaps think of them as a blonde, brunette and redhead, if you are that way inclined.

My very first proper amp, the Marshall JMP-1 preamp with EL34 50/50 power amp, is the business, I do love this more than anything. I have owned it for over 20 years and it still is my first love.Recently, the Cornford Roadhouse 50 has become a contender for my heart,  it sounds epic, the crunch and dirt is out of this world, and when you kick in the boost channel, well there ain't no feeling like it.

Finally, the trio is now complete with the Fender Deluxe Reverb 68, it is creamy, it is crystal clean, it is crunchy, it is dirty, it sound proper, it sounds authentic, it sounds amazing. Reliability still issues at the forefront of my mind, I am hoping that this will be come the one, the one I take out week in week out and gig the hell out of and I can't wait!

The FDR 68 just has a sound you feel connected to, the sound coming out of the speakers just makes you smile. The tone has a deep, round body to it, with plenty of sparkle, especially on the Vintage channel. The Custom channel, is also deep and sensuous, but the treble is tamed a bit, which means it works well with pedals, which don't end up making it sound harsh at all. The controls on both channels are very responsive and it is kind of amazing how much low end this amp seems to have. It fills a stage, it enhances the soundscape and makes the guitar sound present in a band situation and more than that, this means it really inspired you to play.

Thanks to the negative feedback mod on the amp which Fender have done, the amp is just it is SO responsive to your touch and you can so easily coax as note into the most glorious feedback and sustain, the only slight downside is this results in the amp sounding a little bit hissy.But it gets better, the EQ section is amazing and very responsive and interactive, you really have so many options as you move the controls around.

The cleans sound glassy, but without any ice-pickiness, where this amp really shines in in the break-up territory. Instant classic Fender Tones, add an overdrive and you are in heaven. The sound is powerful and it really makes those around sit up and take note, you can get some great overdrive and distortion sounds out of this amp, not death defying metal, this is a classic rock/blues amp. The tonal changes between a single coil or humbucker guitar are immense but just as they should be.

Fender 68 Deluxe Reverb Conclusions

Pros

• This is a proper Fender amp, it sounds so rich, clean and organic

• The custom channel for me is a think of beauty with pedals!

• The TONE, THE TONE, THE TONE!

• The Tone!!

• You get a cover!

Cons

• Hiss

• Reliability (time will tell!)

• Footswitch is a bit sh*t for an amp of this price, crappy plastic.

Request

I hope that you found this article useful and enjoy my blog, podcast and YouTube channel. I’m always happy to share my thoughts and to help others as much as I can and I will never charge for my blog content. Having said that, I truly appreciate when someone supports me in return for the time it takes to write articles, produce podcasts and videos, where I share my years of work and experience with you.

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  Peace

Neil

Natural finish Strat make over project

I thought I would start a project diary for a make-over project I am about to start on my very first guitar. A guitar that I have had now for over 30 years! The Strat in question was the first guitar I was brought as a young willing guitar slinger, and whilst perhaps not the greatest guitar in the world but it was a very decent Strat copy. The guitar itself has already had one transformation in it’s life, where as a project with my grandfather, I stripped the guitar back to it’s natural finish and stained it. I am currently trying to track down a original picture of the guitar which was an all white finish. I will endeavour to do this.I have always loved natural finished guitars, it is no doubt a slight psychoacoustic issue, but I feel that the body resonates better and those additional vibrations from a body which have been trapped (or should that be dampened) but the tight layers of paint and finish. The guitar has been in storage for a number of years and as a result became some what unplayable. The neck was never the greatest, and need some serious attention (or even replaced entirely). But, the reason for me undertaking this project, is that the body is a really lovely piece of wood, it is one piece too, not glued together as you might expect from a cheaper instrument. Guitars should be played and loved and not in storage, so my goal is to make this in to the best instrument it can be, as well as make something to my own personal specs, something which is hard with off the shelf guitars.Here are some pictures of the guitar in it’s current state.

My plans are as follows :-- Re-stain and sand the body, or potentially wax/oil the existing finish- Refret, strip and repair the neck and fingerboard, and add a new nut…if it is doable, otherwise replace the neck entirely. At this point in time it would be with a Maple fingerboard as I love maple, but then again I already have a maple Strat, already so I might actually go with rosewood.- Replace all the electronics. I am currently exploring pickup options, do you guys have any thoughts?- Replace all the hardware, with black finish. So that would be tuners (will be replaced with locking tuners), jack socket , bridge and tremolo unit.- Add a custom decal to the neck.I will be updating the progress on this project on my blog, with the successes and failures as I go along. So watch this space! I hope you enjoy!PeaceNeil

Digital Performer 9 Review

Well it doesn't seem a lifetime ago since DP8 was released and low and behold Motu have just announced Digital Performer 9 review. As you may have read on some of my previous posts I have been a Digital Performer user from version 3.1 onwards, but more and more tend to use Logic these days all the time. That is not a slight at DP, it is just that for some things (and mainly the way I work and my knowledge of Logic means that it is quicker and more efficient to work in Logic) and those things are mainly composing. Why, because call me lazy but I do like region based editing and manipulation, something which is still lacking in DP, I know you can loop sections, but it just seems clunky to me. Having said that when it comes to sound design or film projects, DP really does pip Logic in terms of functionality, so as such I am a bit of a DAW switcher. Anyway, back to DP 9, what does it offer?Well according to the press release, the following

• MX4™ MultiSynth — Now included with DP, MX4 is a powerful 64-bit virtual instrument plug-in featuring a hybrid synthesis engine that combines several forms of synthesis, including subtractive, wavetable, frequency modulation (FM), amplitude modulation (AM) and analog emulation. Included is a new EDM-inspired soundbank with 120 new presets.
• Five new plug-ins — Meticulously crafted plug-ins include DP's new MasterWorks™ FET-76™ emulation of the classic 1176LN limiting amplifier (Revision D/E), MultiFuzz™ model of Craig Anderton's seminal QuadraFuzz™ distortion kit from the 70's, MicroG™ and MicroB™ polyphonic octave generators for guitar and bass, and the mind-blowing MegaSynth™ subtractive synth processor.
• Automation lanes in the Sequence Editor — Display audio and MIDI automation data (volume, pan, plug-in settings, etc.) in separate lanes below each track for easier viewing and editing. Show and hide as many lanes as you wish.
• Spectrogram display in the Sequence Editor — View the spectral content of each audio track, side by side with their waveforms, directly in the Sequence Editor timeline with a colorful, informative visual representation of the frequency content of your audio material.
• Retina display support — View DP's carefully crafted UI themes like Carbon Fiber, Producer and all-new DP9 theme in stunning detail on the exceptionally high image resolution of your Mac's Retina display.
• MusicXML export — Export your DP QuickScribe notation scores as a MusicXML file, which can then be imported into popular music notation applications like Finale™ and Sibelius™. QuickScribe's renowned notation transcription, along with dynamics and many other musical symbols, are preserved during the file transfer.
• Create Tracks command — Add many tracks to your project in one step — even different types of tracks (MIDI, audio, aux, master faders, etc.) all at once.
• Floating plug-in windows — Keep plug-in windows in front of all other DP windows. Set the floating preference globally or choose to float on a per-window basis.
• MIDI Learn for audio plug-ins — Map knobs, faders and switches on your MIDI controller to audio plug-in parameters. Use Digital Performer’s powerful Custom Consoles feature to access advanced programming for the connection.
• Mute MIDI Notes — Use the Mute Tool to temporarily silence both audio regions and MIDI notes, including multiple selected notes.
• Project Notes — Save text notes in your DP project, rather than a separate text document. Log production info, keep a To Do list, build up liner notes.
• More searching — Find Markers, Chunks and plug-in preferences faster with newly added search fields.

Hmm is that really a whole point version upgrade, I am not completely sure, feels more like a point version upgrade. It is SO great that they are adding more synths and plugins to DP, I guess to keep it competitive against the others out there in particularly Logic, but to be honest in 2015 don't most of us have our own favourite external plug-ins and instruments already (many just me). I really like the floating plug-in windows, that has always been a bit of a PITA to the way I work. Finally there is the mute midi notes, but that should have been there from the start perhaps. Automation lanes is great feature finally and so is the spectrogram display, especially for me as I am so used to working with spectrograms. And that kind of is it. We shall have to see what the first reports suggest when they start coming in.Will I upgrade, not sure at the momentEnjoyPeaceNeil

Iris - Goo Goo Dolls - Cover - North and South at the Chorlton Arts Festival May 2015

Yes here is North and South's cover of the Goo Goo Dolls brilliant Iris, taken from our first performance on Festival Saturday at the Chorton Arts Festival May 2015. Performing outside in the sunshine!For more informationhttp://www.northandsouthduo.comEnjoyPeaceNeil#acoustic #cover Iris by North and South at @chorltonarts festival. #livemusic #manchester

Guitar Creativity - The Double Tapped Note

This video guitar lesson is an based on an silly idea I had to convince people you are playing insanely fast. Now, we would all like to do that wouldn't we, especially if in reality we aren't actually playing that fast at all.

The Double Tapped Note

So I should start by saying that this lesson may or may not work for you! Don't worry,  I can already feel the YouTube hate, but when I came up with this idea, the whole concept is to try and expand on a concept (tapping in this case), which already has many rules and ways of doing it, and break out of the box and create something brand new. I think this concept is pretty new (well it is to me, I don't think I have ever seen Eddie Van Halen doing it!) and it may or may not be of use, but it is exercising a different muscle, the creativity muscle.

The Creativity Muscle

This is something I am always talking about in my workshops, and forms a part of my guitar creativity book, by trying unusual concepts something new will develop. Now in this case it might not be the tapped double note, but it might spark something which leads to you develop another technique and who knows you might develop something out of it yourself, it is all about giving you ideas to develop your own voice. This is what most of our guitar heroes did, and that is why we recognise them as being the gods that they are, they were unique, they push boundaries and the found their own ways of expressing themselves. Go forward and create.It's great fun and some interesting things can come out of this technique. I am calling it The Double Tapped Note– Guitar Creativity

Improve your playing NOW

For more in-depth information on maximising your practice time and finding your own voice on the instrument, check out my book Guitar Creativity – A new way of thinking Follow me onTwitterFacebookInstragramLinkedInEnjoy!PeaceNeil

A Father's Love - Amanda-Rose Hill's new Single

Here is a little teaser of UK Country artist Amanda-Rose Hill's new Single A father's love, which I co-wrote and recorded vocals for here in the UK, before it was sent off to be recorded in Nashville. Check it out, more info to follow!EnjoyPeaceNeil

Tapping Scales ala Greg Howe – Guitar Creativity

This lesson is an based on an idea I took from Greg Howe (I think!) and follows the idea of playing scales by tapping, and also breaking away from playing things in tuples but moving to 16th notes. It's great fun and some interesting things can come out of this technique. I am calling it Tapping Scales ala Greg Howe – Guitar CreativityFor more in-depth information on maximising your practice time and finding your own voice on the instrument, check out my book Guitar Creativity – A new way of thinking https://gumroad.com/l/zCAXyFollow me onTwitter http://twitter.com/lightb4soundFacebook https://www.facebook.com/SpencerBruceMusicInstragram https://instagram.com/lightb4sound/LinkedIn http://uk.linkedin.com/in/neilbruceEnjoy!PeaceNeil

Tapping Bends ala Steve Vai - Guitar Creativity

This lesson is an based on an idea I took from Steve Vai's attitude song, and follows the notion of bending a tapped note and seeing what you end up with, great fun and some interesting things can come out of this technique. I am calling it Tapping Bends ala Steve Vai - Guitar CreativityFor more in-depth information on maximising your practice time and finding your own voice on the instrument, check out my book Guitar Creativity - A new way of thinking https://gumroad.com/l/zCAXyFollow me onTwitter http://twitter.com/lightb4soundFacebook https://www.facebook.com/SpencerBruceMusicInstragram https://instagram.com/lightb4sound/LinkedIn http://uk.linkedin.com/in/neilbruceEnjoy!PeaceNeil